Portal shooter Splitgate 2 is coming back with a new name and rebuilt experience after being pulled back to beta earlier this year, developer 1047 Games announced. The free-to-play Splitgate: Arena Reloaded will relaunch on December 17th across platforms including Xbox Series X/S, PlayStation 5 and PC.
"After months of community feedback, testing and rebuilding the entire experience, this is Splitgate refocused on what made it special in the first place: classic arena combat without factions, abilities, or extra noise," the developer shared in a blog post, along with a gameplay video.
Splitgate 2 originally launched in June, but 1047 Games pulled it back to beta after deciding that the release had been rushed. For the new version, the company said, "we took the best of Splitgate 1 and Splitgate 2" and cut the parts that didn't fit, while refining the ones that did. "in the process, we not only rebuilt the game, we reconnected with the magic of the genre that built this studio in the first place: a return to the Arena."
Here are some key changes made:
Removed Splitgate 2's factions, abilities, and select equipment so the focus is back on classic arena combat without the extra noise.
Rebuilt progression from the ground up so your time in game feels rewarding, with weapon and character cosmetics you can earn simply by playing.
We've added a true Classic Arena mode with even starts and new map pickups, recapturing the feel of the original.
Fine tuned combat to better match expectations for a modern arena shooter, with more meaningful gunfights and fewer "what just happened" moments.
Completely overhauled the ranked system so your rank reflects your actual skill for players who love to climb and compete.
Added key systems you have been asking for: Mode Select, Player Stats, Ranked Leaderboards, and Account Levels.
Introduced five brand new maps and six fully reworked arenas, bringing the total map pool to 20.
Added three new LMG primary weapons and the iconic Power Weapon, the Railgun.
1047 Games was savaged earlier this year by Splitgate players after co-founder Ian Proulx wore a hat at Summer Games Fest stating "Make FPS Great Again." Later, he posted to the studio's X account on Splitgate 2's release date that he was "not here to apologize" and that the hat was "not a political statement," finally admitting that it was all basically a publicity stunt.
This article originally appeared on Engadget at https://www.engadget.com/gaming/splitgate-arena-reloaded-tries-to-fix-what-splitgate-2-broke-130027714.html?src=rss
Netflix is in exclusive talks to acquire Warner Bros. Discovery's film and TV studios and HBO Max streaming service, according to sources from Bloomberg. That suggests Netflix submitted a superior offer to rivals including Paramount Skydance Corp (owned by billionaire Larry Ellison) and Comcast, which owns NBCUniversal. The deal could be consummated within days and, if approved, would change the landscape of Hollywood and the streaming market.
Warner Bros. Discovery's cable channels including CNN, TBS and TNT, valued at more than $60 billion, would not be part of the deal and spun off prior to the closing. However, Netflix would become the owner of the HBO network and its library of series (The Sopranos, Game of Thrones, etc.), along with its Burbank studios and massive film and TV archive consisting of 12,500 feature films and 2,400 TV series, including properties like Batman, Lord of the Rings and Friends.
A big sweetener offered by Netflix was a $5 billion breakup fee if the deal isn't approved by regulators, according to people familiar with the discussions. That's a considerable risk on Netflix's part, as the acquisition is likely to be closely scrutinized by the FCC and even President Trump himself, who reportedly has close ties to Ellison. It would also need to pass muster with regulators from other nations, considering the wide reach of WBD and Netflix.
After multiple suitors, including Paramount Skydance expressed interest in buying Warner Bros. Discovery, CEO David Zaslav put the company up for sale in October. The bidding process has been heated, with Paramount's lawyers complaining that WBD "embarked on a myopic process with a predetermined outcome that favors a single bidder," namely Netflix. Paramount argued that its deal would be more palatable to regulators around the world.
However, Zaslav's camp has said that it would achieve the best value in a sale by splitting off its cable assets and doing two separate deals, CNN reported. Both Paramount Skydance and Comcast submitted deals to buy all of WBD's assets.
Netflix offered around $28 a share for WBD minus the cable assets, according to Deadline. Shares were as low as $7.50 earlier this year. The acquisition would be far and away the largest for Netflix, which has historically favored organic growth.
An acquisition could have a huge impact on streaming customers and filmgoers. Would Netflix merge its catalog with HBO Max or continue to run the latter as a separate service? It's also not clear if Netflix would honor Warner Bros.' commitment to theatrical releases, considering that Netflix CEO Ted Sarandos has called movie theatres an "outdated concept."
This article originally appeared on Engadget at https://www.engadget.com/entertainment/streaming/netflix-is-reportedly-in-exclusive-talks-to-acquire-warner-bros-and-hbo-082233278.html?src=rss
The WB logo is seen on the exterior of Warner Bros. Studios, Burbank in Burbank, California on October 21, 2025. Warner Bros. Discovery, the owner of HBO, CNN and other streaming and studio businesses, said October 21, 2025 it is putting itself up for sale. In a press release, the company announced "a review of strategic alternatives to maximize shareholder value," which is Wall Street speak for a sale. Warner Bros. Discovery (WBD) said it had recently received "unsolicited interest" from "multiple parties for both the entire company and Warner Bros." alone. (Photo by Robyn Beck / AFP) (Photo by ROBYN BECK/AFP via Getty Images)
If you missed the Black Friday sale on Apple's AirPods 4 with ANC, you're in luck — they're back on sale at the same $99 price for a substantial $80 savings (45 percent). What's more, if you're one who frets about damaging your gear, you can grab them with AppleCare+ for $118, saving 43 percent from the normal price.
We think that the AirPods Pro 2 are the best AirPods overall, but the ANC-enabled AirPods 4 are also a solid choice, especially at this price. We gave them a score of 86 in our review.
Apple's AirPods 4 come in two variants, with and without ANC. Though the base model is solid, the version on sale here with ANC offers a number of advantages like Conversation Awareness, Adaptive Audio and Transparency mode. They also have a charging case that supports MagSafe and Qi-compatible wireless charging, along with a built-in speaker that emits beeps when you activate Find My. And as Apple recently announced, AirPods 4 with ANC supports the company's Live Translation feature.
Our main reservation with the AirPods 4 with ANC is that the Airpods Pro 2 are a better noise-cancellation option when they go on sale. At this price, though, the AirPods 4 with ANC are a real bargain if you're looking for new buds — especially if you prefer the open-ears type. As mentioned, for extra peace of mind you can also get the Airpods 4 with ANC plus AppleCare+ protection for $118, or 43 percent off.
Check out our coverage of the best Apple deals for more discounts, and follow @EngadgetDeals on X for the latest tech deals and buying advice.
This article originally appeared on Engadget at https://www.engadget.com/audio/apples-airpods-4-with-anc-are-back-on-sale-for-99-140903670.html?src=rss
The UK has fined a porn operator called AVS Group £1 million ($1.33 million) for failing to have strong enough age checks, regulator Ofcom announced. The company which was also hit with an additional £50,000 fine for its failure to respond to information request and now has 72 hours to introduce effective age checks or face a further penalty of £1,000 a day.
In July, the UK government announced it would start checking compliance by websites that publish or display pornographic content to implement a system for "highly effective age checks." Methods approved by Ofcom include credit card checks, photo ID matching and even estimating a user's age with a provided selfie. However, users have been circumventing the age checks via methods like using a VPN and providing a fake ChatGPT-generated photo ID.
The fine is the third such penalty arising from the UK's Online Safety Act designed to protect children and adults from harmful content. In October, 4Chan was also hit with a £20,000 ($26,700) fine for failing to comply with the internet and telecommunications regulator's request for information under the same law.
The UK isn't the only region to have implemented age checks. Around half of US states now require it, as do France, Italy, Australia and China. Australia took things a step further by banning social media use by children under 16, including sites popular with young people like Twitch and YouTube.
Ofcom's safety director, Oliver Griffiths, said the crackdown on weak age verification for adult sites would continue. "The tide on online safety is beginning to turn for the better. But we need to see much more from tech companies next year and we’ll use our full powers if they fall short."
This article originally appeared on Engadget at https://www.engadget.com/general/uk-fines-porn-company-%C2%A31-million-for-weak-age-checks-130056578.html?src=rss
Video used to be an afterthought for Nikon, but since the company purchased RED last year, content creators are now high on its priority list. A perfect example of that is Nikon’s new $2,200 ZR: a full-frame mirrorless model that stands up against dedicated cinema cameras for a fraction of the price.
It’s the first consumer camera to capture video using RED’s 12-bit RAW format, but unlike RED’s Hollywood cameras, it has a fast and accurate autofocus system. It also comes with a huge display, pro video monitoring tools, in-body stabilization and 32-bit float internal audio recording. After shooting a short film that tested its capabilities, I can confirm that the Nikon ZR offers incredible video quality at this price.
Body and handling
While a bit lighter than Nikon’s Z6 III, the 1.19-pound (540-gram) ZR feels solid. It has a boxy design like Sony’s FX2 but a much smaller grip because it’s designed to be rigged up for cinema shooting with cages and handles. However, unlike the FX2 which has multiple 1/4-inch mounting threads to do such rigging, the ZR unfortunately has only one of those on the bottom.
The ZR also lacks an electronic viewfinder like the FX2, but it more than makes up for that with its huge 4-inch display — the largest I’ve ever seen on a mirrorless camera. At 1,000 nits, it’s bright enough to shoot on sunny days, extremely sharp (3.07 million dots) and flips out for vloggers. All of that makes it a perfect primary display for checking the image and controlling the camera.
Nikon has nailed the ZR’s handling, too. While it’s not covered with buttons and dials like some models, it does have two shooting dials to control exposure and a joystick for autofocus. There’s also a camera/video switch, two record buttons, a power switch and five customizable buttons. Many of Nikon’s lenses come with control rings as well, so extra manual control is available.
The menu button is unusual: you press once for the quick menu and hold to see the full menu. Given the large number of settings, I would advise anyone buying this camera to learn all the important adjustments, then customize the controls to avoid wading through dense menus while shooting.
Another unique feature is in the battery compartment. There’s a single fast CFexpress slot to handle RAW video, plus a microSD slot for proxies. The lack of a second CFexpress slot or fast SD card slot for backup isn’t ideal for a professional camera, though.
Finally, the ZR runs on the same N‑EL15c batteries as other Nikon mirrorless cameras. They allow 90 minutes of HD shooting on a charge, or 390 photos per CIPA standards. That’s mediocre, so if you’re planning long shoots, stock up on batteries.
Video
Steve Dent for Engadget
The Nikon ZR has the largest selection of RAW video settings I’ve seen. The centerpiece is RED’s RAW R3D NE light codec (designed by RED for Nikon) with RED’s Log3G10 log format. It also supports Nikon’s N-RAW, ProRes/ProRes RAW and H.265 with resolution that ranges from 6K at up to 60 fps to 4K 120 fps and 1080p at 240 fps. Despite the smallish body, it can capture 6K RAW video continuously for 125 minutes without overheating.
The 24MP sensor uses a dual ISO system with native 800 and 6,400 ISOs, providing a nice range for indoor and outdoor shooting. The company claims 15+ stops of dynamic range, which is more than just about any other mirrorless camera. Other key video features include five-axis in-body stabilization with seven stops of shake reduction, waveform and vectorscope monitoring and a false color display for manual focus.
To test the camera’s features and video quality, I shot a short film in a mix of indoor low light, outdoor daytime and a mix between the two. I also shot handheld (including running with it) to test the stabilization. I primarily captured in R3D RAW, as well as Nikon’s N-RAW at the native 800 and 6,400 ISOs to maximize dynamic range. (You can take 24MP photos with this camera, but I’m focusing on video as it’s mainly designed for that.)
In order to not see a flat log profile when shooting, you’ll need to apply a look-up table (LUT) designed for RED cameras, like "Achromic," "Bleach" or "Caustic." Those are only for in-camera previews and not baked into the video, but you can apply those LUTs later in Adobe Premiere or DaVinci Resolve to get the same look.
Steve Dent for Engadget
With such a high native ISO, I was able to shoot inside with a single studio light. Video quality was outstanding with little noise in shadow regions, even after boosting black levels in post. Meanwhile, the RED R3D codec and Log3G10 gave me extra latitude to reveal shadow detail and dial down highlights when I shot the subject against a bright window.
When you use the R3D codec, exposure is strictly manual with no ability to set auto shutter speed (shutter angle) or f-stop. So, for a scene with varying light, I used Nikon’s N-RAW to see if it would give me the correct exposure at the beginning and end of the scene. It did a good job, with no noticeable jumps during the shot.
Video in sunlight at ISO 800 was also sharp with accurate colors after downscaling to 4K from 6K in DaVinci Resolve. ISO 800 is a relatively high native setting, though, and the ZR doesn’t have a built-in ND filter to reduce exposure. That means you’ll need to buy ND filters for outside shooting or the high shutter speeds will result in choppy video.
Cinema cameras from Blackmagic Design, Arri or RED are manual-focus only. But the ZR is a Nikon camera, and it has the best AF system I’ve seen on any of the company’s models, consistently nailing focus even with moving subjects. You can also automatically track vehicles, birds and other animals. At the same time, the ZR handles manual focus well. That’s thanks to a built-in display that’s big enough to check focus accurately and Nikon’s focus peaking setting with three levels of sensitivity.
Steve Dent for Engadget
In-body stabilization on the ZR wasn’t up to par with Panasonic’s S1 II, however. Video was smooth for handheld shooting if I panned the camera gently, but all my running and walking shots showed noticeable camera shake. That said, the ZR at least has in-body stabilization, unlike most cinema cameras, and most filmmakers will use a gimbal for running shots, regardless of which camera they use. (Note that the rattling you hear when the ZR is turned off is the sensor, which floats by design.)
Finally, I was able to capture good audio quality via an external microphone without any clipping worries thanks to the Nikon ZR’s 32-bit float internal audio capture. The company also touts directional capture using its built-in mics, but as with any such system, audio quality isn’t high enough for production use.
Wrap-up
With the ZR, Nikon has shown that it’s finally catching up to and even surpassing its rivals for content creation. Whether you’re doing social media, YouTube, documentaries or even film production, this camera is versatile and powerful with few compromises. Video quality and ease of use even beats models that are double or triple the price.
The ZR’s primary competition is in the low-end cinema cameras, particularly Sony’s $2,998 FX2 and the $3,899 Canon R5C. While more expensive, both come with an electronic viewfinder that the ZR lacks, and the R5C can shoot up to 8K video. Another option is Blackmagic Design’s Pyxis 6K camera, but it only offers basic autofocus capabilities and lacks in-body stabilization.
Compared to those options, Nikon’s ZR delivers better dynamic range thanks to the inclusion of RED’s R3D RAW codec. It also comes with an excellent autofocus system and decent in-body stabilization. If you’re a creator looking to get the best video quality for the money without losing those niceties, I’d highly recommend the ZR.
This article originally appeared on Engadget at https://www.engadget.com/cameras/nikon-zr-review-a-highly-capable-cinema-camera-at-a-reasonable-price-152634311.html?src=rss
Sony has launched its mid-range flagship mirrorless camera, the A7 V, with a strong emphasis on speed but a bit less on video than some may have hoped. The new model sports a 33MP partially stacked full-frame Exmor RS sensor and an all-new Bionz XR2 processor with built-in AI, powering what the company calls its fastest, most accurate subject-detect autofocus ever. At the same time, it can shoot 14-bit photos at up to 30 fps with 16 stops of dynamic range, the highest ever on a Sony (or nearly any other) camera.
On the video side, the A7 V now supports 4K 10-bit S-Log3 video at 60 fps using the full sensor width with supersampling from 7K. Note that to get full-width video in 4K 60 fps mode, you must turn on a feature called Angle of View Priority that turns off in-camera noise reduction but doesn't affect quality, according to Sony. 4K at 120 fps is also possible with an APS-C crop. The graphite heatsink disperses heat well, so you can record 90 minutes continuously at 4K 60 fps.
However, the A7 V doesn't offer any resolutions beyond that, unlike its primary rivals in this price range: the Canon R6 III (7K 60 fps), Nikon Z6 III (6K at 60 fps) and Panasonic S1 II (6K at 60 fps). Also surprisingly, there's no internal or external RAW capture, unlike all three rival cameras, with recording limited to Sony's XAVC (H.265 and H.264) formats.
Sony
Sony told Engadget that rather than RAW or 7K, it preferred to focus on features that it believes creators really want, namely sharp, high-quality 4K 60 fps that won't fill up your hard drive (along with fast and precise autofocus, of course). It also prioritized speed with the partially stacked shutter in order to reduce rolling shutter for full-frame video.
The company has a point that while RAW video provides extra quality, a single minute can take up gigabytes of space and requires a powerful PC for processing. That said, I'd personally like to have a 6K or 7K capture option in case I need to reframe a shot or output high-resolution vertical video. However, the A7 V can kind of do that itself with its Auto Framing mode that keeps a human in the scene and crops in on them automatically, like robotic cameraperson.
With all the extra speed, the A7 V can shoot 30 fps blackout-free RAW bursts with accurate AF and auto exposure in electronic shutter mode (with 14-bit RAW quality rather than 12-bit as before), or 10 fps with the mechanical shutter. There's no fully uncompressed RAW option, but it does support lossless compressed RAW and a new lightweight RAW format. It also supports extended RAW processing on PC with high-resolution output, along with 12 creative look presets with custom parameters.
With the new sensor and image processor, Sony is promising precise AF down to EV-4.0 in low light conditions, with 759 phase-detection points that cover about 94 percent of the image area. It also supports pre-capture and speed boost so you won't miss important moments in wildlife or sports photography. In terms of AI recognition, it now supports Human, Animal, Bird, Insect, Car/Train and Airplane detection, along with Auto Recognition of the target.
Sony
The A7 V's five-axis in-body stabilization delivers up to 7.5 stops of shake reduction, compared to 8.5 for Canon and Panasonic's latest models. It offers both Active and Dynamic Active modes depending on how energetically you're handling the camera, with the latter introducing some cropping.
The 2.1-million-dot rear display flips out for vloggers as before, but also tilts up and down for easier hip-level photography. The OLED electronic viewfinder has the same 3.69-million dot resolution as the A7 IV. Battery life via Sony's NP-FZ100 battery stretches out to 750 shots (CIPA), the best of any camera in this category. Rather than the dual-dual card slot configuration of the A1 II, the A7 V offers a hybrid CFexpress Type A (that only Sony uses) and SD UHS II slot, along with single SD UHS II slot. Other features include 3.5mm mic and headphone ports, a full-sized HDMI port, Wi-Fi 6 and two USB-C ports.
With the extra speed, high resolution compared to rivals and gain in picture quality, Sony's A7 V should appeal to hybrid shooters who focus on photography and so some video. It's now on pre-order starting at $2,899 ($3,099 with a kit lens) or $3,699/$3,899 CAD. It's due to start shipping on December 18, 2025, but only in limited numbers to start with.
This article originally appeared on Engadget at https://www.engadget.com/cameras/sonys-much-anticipated-a7-v-is-here-with-a-faster-33mp-sensor-and-4k-120p-video-140403371.html?src=rss
For such a tiny piece of tech, a good wireless microphone can have an outsize impact on the quality of your videos. If you've been waiting for a serious sale to pick up a mic of your own, Cyber Monday may be your chance. The DJI Mic Mini kit is on sale for more than half off: you can snag it for a mere $80. That's an all-time low price compared to the set's usual $170 price tag. The full package includes two mics, a receiver and a charging case, as well as two windscreens and other accessories.
Depending on what peripherals you need along with your wireless microphone, DJI has several other promising Cyber Monday deals. If you don't want the charging case, you can get the Mic Mini without for just $66, which is a of 45 percent discount. Another option is a bundle featuring a single mic, receiver, charging dock and accessories for $45, or 49 percent off the regular price.
DJI's Mic Mini microphones (transmitters) weigh just a third of an ounce and attach easily to subjects via magnets or clips. Everything pairs automatically and they offer high quality 24-bit, 20Hz to 20K Hz recording. They also connect easily to smartphones over Bluetooth and other DJI devices like the Action 5 Pro and Osmo Pocket 3 cams using DJI's OsmoAudio direct connection. With a range of 1300 feet and 48 hours of battery life with the charger case, they're an excellent addition to a creator's bag of tricks. Again, note that you can grab one a big cheaper without the charging case.
DJI's Mic Mini deal includes two mic transmitters and a receiver that can be connected to a camera or phone, along with the charging case, two windscreens, a splitter USB-C cable for charging, a 3.5mm camera audio cable, two magnetic clips, a smartphone adapter, a charging cable and a compact carrying case. At this price the deal may not last the week, so if you've been eyeing one, act quickly.
This article originally appeared on Engadget at https://www.engadget.com/deals/dji-cyber-monday-deals-include-the-mic-mini-kit-with-a-charging-case-on-sale-for-just-80-110007210.html?src=rss
We spend a lot of time staring at our screens, so it’s worth finding one that actually feels good to use. The right monitor can make your desk setup feel faster, brighter and easier on the eyes, whether you’re deep into spreadsheets, watching a show or chasing higher frame rates in your favorite game.
What the best monitor means, though, depends on what you do. Gamers might want smooth, fast refresh rates. Creators usually prioritize color accuracy. Office workers and students just need something clear, comfortable and reliable. Thankfully, monitors in 2025 cover all of those needs, with options that range from compact 24-inch displays to massive ultrawides built for serious multitasking.
We’ve tested a variety of monitors across price ranges and use cases to find the ones that stand out for everyday use. No matter your budget, setup or screen-size preference, these are the monitors that make your PC, and your time in front of it, a little better.
The cheapest monitors are still TN (twisted nematic), which are strictly for gamers or office use. VA (vertical alignment) monitors are also relatively cheap, while offering good brightness and a high contrast ratio. However, content creators will find that LCD, IPS displays (in-plane switching) deliver better color accuracy, pixel density, picture quality and wide viewing angles — making them a strong option for general computer monitor use.
If maximum brightness is important, a quantum dot LCD display is the way to go — those are typically found in larger displays. OLED panels are now available and offer the best blacks and color reproduction, but they lack the brightness of LED or quantum dot displays. Plus, they’re expensive. The latest type of OLED monitor, called QD-OLED from Samsung, is now common among gaming monitors. The most notable advantage is that it can get a lot brighter, with recent models hitting up to 1,000 nits+ of peak brightness.
MiniLEDs are now widely used in high-end displays. They’re similar to quantum dot tech, but as the name suggests, it uses smaller LED diodes that are just 0.2mm in diameter. As such, manufacturers can pack in up to three times more LEDs with more local dimming zones, delivering deeper blacks and better contrast. MiniLED displays also tend to offer excellent backlight control, making them a great choice for HDR content and video editing.
Screen size, resolution and display format
Where 24-inch displays used to be more or less standard (and can still be useful for basic computing), 27-, 32-, 34- and even 42-inch displays have become popular for entertainment, content creation and even gaming these days.
Nearly every monitor used to be 16:9, but it’s now possible to find 16:10 and other more exotic display shapes. On the gaming and entertainment side, we’re also seeing curved monitors and widescreen ultrawide monitors with aspect ratios like 21:9. If you do decide to buy an ultrawide display, however, keep in mind that a 30-inch 21:9 model is the same height as a 24-inch monitor, so you might end up with a smaller display than you expected.
A 4K monitor is nearly a must for content creators, and some folks are even going for 5K or all the way up to 8K. Keep in mind, though, that you’ll need a pretty powerful computer with a decent graphics card to drive all those sharp pixels. And 4K higher resolution should be paired with a screen size of 27 inches and up, or you won’t notice much difference between 1440p. At the same time, I wouldn’t get a model larger than 27 inches unless it’s 4K, as you’ll start to see pixelation if you’re working up close to the display. That’s when a lower resolution monitor shows its limits.
One new monitor category to consider is portable monitors designed to be carried and used with laptops. Those typically come in 1080p resolutions and sizes from 13-15 inches. They usually have a lightweight kickstand-type support that folds up to keep things compact and maximize portability and functionality.
HDR
HDR adds vibrancy to entertainment and gaming – but be careful before jumping in. Some monitors that claim HDR on their marketing materials don’t even conform to a base standard. To be sure that a display at least meets minimum HDR specs, you’ll want to choose one with a DisplayHDR rating with each tier representing maximum brightness in nits.
However, the lowest DisplayHDR 400 and 500 tiers may disappoint you with a lack of brightness, washed out blacks and mediocre color reproduction. If you can afford it, the best monitor to choose is a model with DisplayHDR 600, 1000 or True Black 400, True Black 500 and True Black 600.
Where televisions typically offer HDR10 and Dolby Vision or HDR10+, most PC monitors only support the HDR10 standard, other than a few (very expensive) models. That doesn’t matter much for content creation or gaming, but HDR streaming on Netflix, Amazon Prime Video and other services won’t look quite as punchy. In addition, the best gaming monitors are usually the ones supporting HDR600 (and up), rather than content creation monitors – with a few exceptions.
Refresh rate
High refresh rate is a key feature, particularly on gaming monitors. A bare minimum nowadays is 60Hz, and 80Hz and higher refresh rates are much easier on the eyes. However, most 4K displays top out at 60Hz with some rare exceptions and the HDMI 2.0 spec only supports 4K at 60Hz, so you’d need at least DisplayPort 1.4 (4K at 120Hz) or HDMI 2.1. The latter is now available on a number of monitors, particularly gaming displays. However, it’s only supported by the latest NVIDIA RTX 3000- and 4000-series, AMD RX 6000-series GPUs. Support for G-Sync and AMD FreeSync is also something to look for if you want to eliminate screen tearing and stuttering during fast-paced gameplay — especially when paired with a high refresh rate.
Inputs
There are essentially three types of modern display inputs: Thunderbolt, DisplayPort and HDMI. Most monitors built for PCs come with the latter two, while a select few (typically built for Macs) will use Thunderbolt. To add to the confusion, USB-C ports may be Thunderbolt 3, and by extension, DisplayPort compatible, so you may need a USB-C to Thunderbolt or DisplayPort cable adapter depending on your display.
Color bit depth
Serious content creators should consider a more costly 10-bit monitor that can display billions of colors. If budget is an issue, you can go for an 8-bit panel that can fake billions of colors via dithering (often spec’d as “8-bit + FRC”). For entertainment or business purposes, a regular 8-bit monitor that can display millions of colors will be fine.
Color gamut
The other aspect of color is the gamut. That expresses the range of colors that can be reproduced and not just the number of colors. Most good monitors these days can cover the sRGB and Rec.709 gamuts (designed for photos and video respectively). For more demanding work, though, you’ll want one that can reproduce more demanding modern gamuts like AdobeRGB, DCI-P3 and Rec.2020 gamuts, which encompass a wider range of colors. The latter two are often used for film projection and HDR, respectively.
Monitor FAQs
Is OLED better than mini-LED for monitors?
OLED is better than mini-LED in many areas but not all. Here are the advantages of OLED panels:
OLED monitors don't have any "blooming" or halos around bright parts of the image.
OLEDs have blacks with zero brightness, which is not achievable on mini-LED. That means they also have higher contrast ratios.
OLEDs consume less energy.
OLEDs have faster response times for gaming.
And here are the advantages of mini-LED monitors:
They are brighter (often much brighter), so it can be better for HDR content.
They don't suffer from burn-in like OLED can.
What size monitor is best for a home office?
This depends on the individual. For normal use, 27-32 inches is the sweet spot. If you're one who likes many windows open at a time (like a stock broker), then you might want to go up to 37 or even 42 inches.
Are curved monitors worth it for gaming?
If you need as much speed as possible, a curved monitor lets you rapidly look around the screen without changing focus or moving your head as much compared to a flat screen. It also provides more immersion. The drawback is that curved displays tend to be wider so they take up more desk space. They're also generally more expensive.
This article originally appeared on Engadget at https://www.engadget.com/computing/accessories/best-monitor-130006843.html?src=rss
Cyber Monday is a good time to consider picking up tech you may have had your eye on for a bit. That means big ticket items like cameras, drones and the like. Major camera and drone makers including Sony, Canon, DJI, Nikon and GoPro are still offering substantial discounts across a wide range of products ranging from hundreds to thousands of dollars. Those include options from our guide to thebest cameras, so you'll get great value for tried and tested gear. These are the best Cyber Monday camera deals you can get for 2025.
Best Cyber Monday camera and drone deals
Sony A7 IV for $1,998 (26 percent off): Sony's A7 IV is still one of the best hybrid cameras you can get thanks to the high resolution, fast shooting speeds and 4K 60p video. Autofocus is incredible for both video and stills, and it comes with in-body stabilization to help smooth your shots. And for photographers, image quality has never been better thanks to the high dynamic range and enhanced resolution compared to the A7 III.
GoPro Hero 13 Black for $319 (26 percent off): GoPro’s Hero 13 Black is now available with a new family of modular lenses called the HB series (ultra-wide, anamorphic and macro), making it far more versatile for action creators. It also has a slightly bigger battery that allows longer capture times, up to 90 minutes for 4K 30fps video. Other specs remain the same, including up to 5.3K at 60fps in 10-bit color, along with the excellent Hypersmooth stabilization. And if you want an even wider field of view, grab the Hero 13 Black Wide Edition for $329.
DJI Osmo Pocket 3 for $529 (34 percent off): When DJI's Osmo Pocket 3 came out I said was "maybe the only vlogging camera you need." It has a big one-inch sensor that boosts image quality considerably, particularly in low light. You also get a large swiveling touchscreen that makes it easier to switch between horizontal and vertical video. What really makes it great for vlogging, though, are the follow modes combined with face tracking. When working solo, you can simply set it up and it’ll rotate and tilt to follow you around — so you don’t have to worry about focus or even pointing the camera at yourself. There’s very little not to like about the Osmo Pocket 3, but it’s not ideal for photos and is also quite expensive. But with the Black Friday deal and Pocket 4 on the horizon, it's a great time to get one.
Canon EOS R100 with 18-45mm kit lens for $499 (27 percent off): Canon's EOS R100 is the best deal on a mirrorless camera with a kit lens, and this is the lowest price we've seen to date. It comes with a 24-megapixel APS-C sensor that delivers great picture quality with Canon's pleasing skin tones, offers rapid and accurate autofocus and lets you shoot 4K (cropped) video at up to 24 fps.
DJI Osmo 360 for $357 (35 percent off): DJI’s Osmo 360 is a worthy rival to Insta360’s X5, thanks to the innovative sensor and 8K 50 fps video. It also matches or beats its rival in other areas, with similar battery life and superior low-light capability. Other positives include seamless 360 stitching, compatibility with DJI's mics and accessories, and excellent ease of use. The one negative is the editing app, which lacks some features found on Insta360's app.
OM SYSTEM Olympus E-M10 IV with 14-42mm kit lens for $700 (22 percent off): OM Systems' Olympus OM-D E-M10 Mark IV offers a great mix of photography and video features and is on sale with a solid kit lens. You get up to 15 fps shooting speeds, 4K 30p or HD 120p video, and it’s one of the few cameras in this price category with built-in five-axis stabilization. It’s portable and lightweight for travel, and the lenses are compact and affordable. The drawbacks are an autofocus system that’s not as fast or accurate as the competition, and a small sensor size.
DJI Osmo Action 5 Pro for $259 (24 percent off): The Action 5 Pro features a large 1/1.3-inch sensor that makes it better than the Hero 13 in low light. It also tops the action cam battery life charts at two hours-plus while shooting 4K 60fps. Another nice feature is 47GB of internal storage, a big help if you forget your microSD memory card. And the Osmo Action 5 Pro works directly with DJI’s noise-cancelling Mic 2 and Mic Mini wireless microphones, providing an easy way to record high-quality sound. You can also grab the Action 4 Pro with the same sensor for just $199, or 31 percent off the regular price.
DJI Mini 4K drone Fly More Combo for $359 (20 percent off): The Mini 4K is a beginner-friendly drone, but it's still got plenty of nifty features. As the name suggests, it can capture 4K video at up to 30 FPS. It can also record 2.7K footage at 60 FPS. There's 2x digital zoom, a 3-axis gimbal and electrical image stabilization. The drone can transmit 1080p video from up to 10km away.
Panasonix Lumix S9 in green for $1,398 with 18-45mm kit lens (22 percent off): The S9 may be Panasonic's smallest full-frame camera but it comes with the same 24MP sensor and similar video features to the popular S5 II. To that end, it offers up to 6.2K video, in-body stabilization and reliable autofocus. The key feature though is a special LUT button that lets you easily choose a custom cinematic look designed by professional creators.
Fujifilm X-T50 with XC 15-45mm lens for $1,599 (6 percent off): Fujifilm’s X-T50 is a big improvement over the X-T30 II, thanks to its higher resolution sensor, in-body stabilization and upgraded video capabilities. It's relatively small and lightweight and has solid autofocus and decent shooting speeds of up to 13 fps. Fujifilm cameras rarely go on sale, so if you're in the market for this model, now's the time to act.
Canon EOS R50 for $679 (13 percent off): Canon's 24-megapixel APS-C EOS R50 is great for travel, parties, street photography and more thanks to the portable size and built-in flash. It offers nice image quality with warm, human friendly photos and is capable for creators as well with 4K 30fps supersampled video, with 10-bit and HDR capability. It comes with a kit lens that's solid for vlogging or photography with a 24-70mm full-frame equivalent zoom range.
Panasonic Lumix S5 II for $1,498 (25 percent off): The Lumix S5 II is an ideal vlogging camera, thanks to its excellent 6K 10-bit video, powerful stabilization system and phase-detect autofocus. It also offers features that creators need like excellent monitoring tools and advanced audio features, along with the 3.68-million dot EVF and flip-out display.
Nikon Z6 III for $2,097 (22 percent off): The Nikon Z6 III is one of the best hybrid creator cameras you can buy, thanks to the incredible performance of its partially stacked sensor. You can shoot RAW bursts at up to 20 fps in electronic shutter mode while nailing sharp shots thanks to the much-improved autofocus. On the video side, it supports 6K RAW at up to 60 fps, or 4K 120p. The only thing holding it back from dethroning Sony is image quality that’s compromised a bit by the relatively low resolution and reduced dynamic range.
Sony A7R V for $3,298 (21 percent off): With a 61-megapixel sensor, Sony’s A7R V shoots sharp and beautiful images at a very respectable speed for such a high-resolution model (10 fps). It has equally fast and reliable autofocus, the sharpest viewfinder on the market and in-body stabilization that’s much improved over the A7R IV. Video has even improved, with 8K and 10-bit options now on tap, albeit with significant rolling shutter.
Canon EOS R5 Mark II for $3,899 (11 percent off): The EOS R5 II comes with a high-resolution 45-megapixel stacked sensor, but still lets you shoot blackout-free bursts at up to 30 fps (and it can pre-capture up to 15 photos when you half press the shutter button). The updated autofocus with AI tracking is as good as anything offered by Sony and it's also highly capable for video, with up to 8K 60p RAW and 4K 120p shooting.
Nikon Z8 for $3,496 (18 percent off): Nikon's Z8 offers the same specs as the company’s Z9 flagship in a smaller body but costs a lot less. It’s one of the highest resolution full-frame cameras with 45 megapixels, but also one of the fastest with burst speeds up to 30 fps. At the same time, it has powerful video capabilities with 8K RAW video at up to 60 fps. Autofocus isn’t on par with Sony’s A1, but the Z8 is a better camera for the price.
Best Cyber Monday camera lens and accessory deals
Osmo Mobile 7P for $103 (20 percent off): This three-axis gimbal keeps your smartphone video as smooth as can be with DJI's ActiveTrack 7.0, and includes a magnetic snapping mechanism so you can install your mobile device in seconds. The latest feature is native tracking that follows you around, thanks to the included Multifunctional Module.
K&F Concept 20L camera backpack for $66 (20 percent off): This multifunction backpack can store not only cameras, lenses and even drones in the bottom section, but a couple of changes of clothes up top. It has a laptop compartment, ventilated elastic back, auxiliary straps and more.
SmallRig Camera Tripod for $49 (30 percent off): This 2-in-1 tripod easily transforms into a monopod depending on your needs. It comes with a 360-degree detachable ball head, supports up to 33 pounds and lets you adjust the working height from 16- to 71-inches in seconds.
Rode Wireless Micro for $83 (10 percent off): Another great wireless mic option is Rode's Wireless Micro designed for smartphone users. The receiver connects to the bottom of your smartphone via USB-C and the microphones attach to the subject via integrated clips or magnets. They capture pristine sound well above what your smartphone can do, with a 20-20 kHz frequency range and 73 dB signal-to-noise ratio.
DJI Mic 2 for $199 (26 percent off): DJI's Mic 2 can not only be connected to a mirrorless camera like other mics, but also supports Bluetooth audio so can easily be connected to a smartphone as well. It picks up audio from your subject at a range of up to 820 feet (less with a Bluetooth connection) and automatically reduces background noise like wind, city sounds and even drone noise. And unlike the Mic 3, it lets you plug in an external microphone. This deal includes two mic transmitters, a receiver for your camera, a charging case and wind muffs.
DJI RS 4 Mini $289 (22 percent off): The RS 4 Mini is one of the best handheld camera stabilizers on the market thanks to features like its 4.4 pound payload and automatic axis lock. On top of that, the company introduced automatic tracking via its RS Intelligent Tracking Module to keep human subjects in frame no matter where they go. It also offers smoother gimbal tracking, longer battery life and faster charging.
Samsung P9 512GB microSD Express memory card for $75 (25 percent off): If you want a fast card for your drone or action cam that can also be used on a Switch 2, Samsung has the answer. It's P9 512GB microSD express card is on sale for just $75, or 25 percent off the regular price. It can run at speeds up to 800MB/s on the Switch 2, and transfer files in compatibility mode at up to 160Mbps.
Aputure MC RGBWW LED Light for $72 (20 percent off): This is a popular video light that can provide primary illumination or be used as a background light for interviews and more. I can attest that this product rarely goes on sale, so now's the time to snap one up.
Manfrotto Befree GT PRO 4-section travel tripod $299 (36 percent off): Belying its miniscule 4.23 pound weight, this model offers ultra-stable performance for timelapse and other shots, even in bad weather. It's also great for video thanks to the integrated 3-way pan/tilt head, featuring fluid cartridges for precise control and seamless movements.
Lexar 2TB Professional CFexpress Type A memory card for $509 (15 percent off): For those looking for fast and copious storage for modern mirrorless cameras, Lexar's 2TB Professional CFexpress Type A Silver 4.0 memory card is a good solution. It offers 1,750 MB/s read and 1,650 MB/s write speeds fast enough to handle RAW video from most cameras.
Canon Mount Adapter EF - EOS R for $149 (38 percent off): If you recently bought a new Canon mirrorless EOS RF camera and have a bunch of older EF lenses, you'll need this. It not only adapts EF lenses perfectly to the RF mount, it gives you full electronic autofocus and exposure control.
Panasonic Lumix G 25mm f/1.7 lens $197 (34 percent off): Panasonic and Micro Four Thirds users on a budget in need of a fast 50mm equivalent prime should check this one out. It offers beautiful bokeh and fast speeds in low light, but costs nearly half the price of f/1.4 models.
Sony FE50mm f/1.8 lens for $228 (19 percent off): With a fast f/1.8 aperture, this lens produces great bokeh to help you separate your subject from the foreground. With this sale, it's Sony's cheapest prime portrait lens that still offers excellent sharpness.
Nikon Nikkor Z 50mm f/1.4 Lens $497 (17 percent off): If you want a fast 50mm portrait lens but don't have a ton to spend, Nikon's Nikkor Z 50mm f/1.4 lens is on sale for just $497, making it one of the cheapest full-frame options available. At the same time, it offers exceptional sharpness and excellent color rendition, with beautiful bokeh that will flatter your subjects.
Panasonic Lumix S 85mm f/1.8 lens $448 (31 percent off): I own this lens and it's fast, sharp and versatile for portraits while offering considerable savings compared to an f/1.4 portrait. It's also great for working pros due to the dust-, splash- and freeze-resistant design and very light weight next to other brands.
Nikon Nikkor Z 35mm f/1.4 Lens $577 (15 percent off): If you're looking for a fast full-frame Nikon Z prime in the 35-50mm category for portraits, architecture or street photos, Nikon has a stellar deal. The Nikkor Z 35mm f/1.4 lens is fast and sharp with painterly bokeh thanks to the 9-blade iris design. It's great for video as well, with the silent STM mechanism offering silent autofocus and suppressed focus breathing.
Canon RF24-70mm F2.8 L lens $2,299 (12 percent off): If you've been eyeballing a fast Canon RF mount zoom, now's the time to act. The RF24-70mm f/2.8 L lens rarely goes on sale, but is now available with a $200 (8 percent) discount. It offers an f/2.8 aperture across the entire zoom range so you get awesome bokeh for portraits and high versatility in low light situations.
This article originally appeared on Engadget at https://www.engadget.com/deals/the-best-cyber-monday-camera-and-drone-deals-get-up-to-52-percent-off-from-sony-dji-and-others-082305849.html?src=rss
Ready to move up from your smartphone camera? Sony's A7 IV and A7R V cameras are top picks in Engadget's camera buying guide and now they're both now on sale at all-time lows for the holidays. Sony's A7 IV, which I said has "the best combination of image quality, performance and video powers" is on sale for $1,998, or 26 percent off the regular price. And the A7R V, which shoots beautiful 61MP images and offers fast and accurate autofocus, has hit at an all-time low of $3,298 or 21 percent ($898) off. Note that these are both "body only" models — you'll need to seek out lenses for these models, too. (Welcome to the world of real photography.)
With a superb score of 90 in my review, Sony's A7 IV is still one of the best hybrid cameras you can get thanks to the high resolution, fast shooting speeds and 4K 60p video. Autofocus is incredible for both video and stills, and it comes with in-body stabilization to help smooth your shots. And for photographers, image quality has never been better thanks to the high dynamic range and enhanced resolution compared to the previous model. Although it does see occasional discounts, I've never seen it drop below $2,000, so if you've been looking, now is a perfect time to buy.
Sony's A7R V garnered a similarly superb Engadget review. With a 61-megapixel sensor, it shoots sharp and beautiful images at a very respectable speed for such a high-resolution model (10 fps). It has equally fast and reliable autofocus, the sharpest viewfinder on the market and in-body stabilization that’s much improved over the A7R IV. Video has even improved, with 8K and 10-bit options now on tap. Again, there's never been a better time to buy one, as Sony told me this is the lowest price it has ever been sold at.
This article originally appeared on Engadget at https://www.engadget.com/deals/sonys-a7r-iv-and-a7r-v-cameras-are-on-sale-for-all-time-low-prices-for-black-friday-132107036.html?src=rss
A good-quality wireless microphone can make or break a video, but getting the right one can cost a pretty penny. But if you're a creator on the hunt for a microphone then there's a great Black Friday deal for you. DJI's Mic Mini kit is on sale for $80, down from $170 at B&H Photo Video. This 53 percent discount is an all-time low price for the kit of two mics, a receiver and a charging case (plus two windscreens and other accessories).
If you don't need the charging case, you can get it without for just $66 — a savings of 45 percent. You can also grab the bundle with a single mic, receiver, charging dock and accessories for $45, or 49 percent off the regular price. While you're at it, check out DJI's best Black Friday camera deals.
DJI's Mic Mini microphones (transmitters) weigh just a third of an ounce and attach easily to subjects via magnets or clips. Everything pairs automatically and they offer high quality 24-bit, 20Hz to 20K Hz recording. They also connect easily to smartphones over Bluetooth and other DJI devices like the Action 5 Pro and Osmo Pocket 3 cams using DJI's OsmoAudio direct connection. With a range of 1300 feet and 48 hours of battery life with the charger case, they're an excellent addition to a creator's bag of tricks. Again, note that you can grab one a big cheaper without the charing case.
DJI's Mic Mini deal includes two mic transmitters and a receiver that can be connected to a camera or phone, along with the charging case, two windscreens, a splitter USB-C cable for charging, a 3.5mm camera audio cable, two magnetic clips, a smartphone adapter, a charging cable and a compact carrying case. At this price the deal may not last the week, so if you've been eyeing one, act quickly.
This article originally appeared on Engadget at https://www.engadget.com/deals/dji-black-friday-deals-include-the-mic-mini-kit-with-a-charging-case-on-sale-for-just-80-102735776.html?src=rss
Black Friday deals have discounted the DJI Osmo Pocket 3 by a ton. The vlogging camera is down to $510 right now, which is 36 percent off its usual price. While that's off the earlier low of $502, it's probably the best deal you'll find on the Pocket 3 for some time, considering US tariffs recently forced DJI to jack up prices.
When DJI's Osmo Pocket 3 came out I said it was “maybe the only vlogging camera you need.” To start with, it has a big one-inch sensor that boosts image quality considerably, particularly in low light. You also get a large swiveling touchscreen that makes it easier to switch between horizontal and vertical video. What really makes it great for vlogging, though, are the follow modes combined with face tracking. When working solo, you can simply set it up and it’ll rotate and tilt to follow you around — so you don’t have to worry about focus or even pointing the camera at yourself.
While there’s very little not to like about the Osmo Pocket 3, it’s not ideal for photos and is also quite expensive. But with the Black Friday deal and DJI's Osmo Pocket 4 rumored to be arriving in December, it's a great time to buy one — just act quickly as stocks may run out. There are a ton of other Black Friday camera deals available now, too, so be sure to check those out if you're looking for some new gear.
This article originally appeared on Engadget at https://www.engadget.com/cameras/the-dji-osmo-pocket-3-vlogging-camera-is-36-percent-off-for-black-friday-092339986.html?src=rss
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