Easter Island is famous for its giant monumental statues, called moai, built some 800 years ago. The volcanic rock used for the moai came from a quarry site called Rano Raraku. Archaeologists have created a high-resolution interactive 3D model of the quarry site to learn more about the processes used to create the moai. (You can explore the full interactive model here.) According to a paper published in the journal PLoS ONE, the model shows that there were numerous independent groups, probably family clans, that created the moai, rather than a centralized management system.

“You can see things that you couldn’t actually see on the ground. You can see tops and sides and all kinds of areas that just would never be able to walk to,” said co-author Carl Lipo of Binghamton University. “We can say, ‘Here, go look at it.’ If you want to see the different kinds of carving, fly around and see stuff there. We’re documenting something that really has needed to be documented, but in a way that’s really comprehensive and shareable.”

Lipo is one of the foremost experts on the Easter Island moai. In October, we reported on Lipo’s experimental confirmation—based on 3D modeling of the physics and new field tests to re-create that motion—that Easter Island’s people transported the statues in a vertical position, with workers using ropes to essentially “walk” the moai onto their platforms. To explain the presence of so many moai, the assumption has been that the island was once home to tens of thousands of people.

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Researchers in Spain investigated what kind of noise shells used by Neolithic societies made.

Researchers used drone imagery to construct a 3D model of Rapa Nui's main moai quarry and reveal its secrets.

The Ushbati figurines were meant to work for the dead.

Archaeologists recently explored a long-lost Silk Road city at the bottom of a lake, uncovering a trove of artifacts and a medieval cemetery.

Today all that’s left of the ancient city of Semiyarka are a few low earthen mounds and some scattered artifacts, nearly hidden beneath the waving grasses of the Kazakh Steppe, a vast swath of grassland that stretches across northern Kazakhstan and into Russia. But recent surveys and excavations reveal that 3,500 years ago, this empty plain was a bustling city with a thriving metalworking industry, where nomadic herders and traders might have mingled with settled metalworkers and merchants.

Radivojevic and Lawrence stand on the site of Semiyarka. Credit: Peter J. Brown

Welcome to the City of Seven Ravines

University College of London archaeologist Miljana Radivojevic and her colleagues recently mapped the site with drones and geophysical surveys (like ground-penetrating radar, for example), tracing the layout of a 140-hectare city on the steppe in what’s now Kazakhstan.

The Bronze Age city once boasted rows of houses built on earthworks, a large central building, and a neighborhood of workshops where artisans smelted and cast bronze. From its windswept promontory, it held a commanding view of a narrow point in the Irtysh River valley, a strategic location that may have offered the city “control over movement along the river and valley bottom,” according to Radivojevic and her colleagues. That view inspired archaeologists’ name for the city: Semiyarka, or City of Seven Ravines.

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© Radivojevic et al. 2025

Astronomical events such as eclipses were central to Maya culture, reflected in the care the Maya took to keep accurate calendars to aid in celestial predictions. Among the few surviving Maya texts is the so-called Dresden Codex, which includes a table of eclipses. Researchers have concluded that this table was repurposed from earlier lunar month tables, rather than being created solely for eclipse prediction, according to a paper published in the journal Science Advances. They also figured out the mechanism by which the Maya ensured that table would be accurate over a very long time period.

The Maya used three primary calendars: a count of days, known as the Long Count; a 260-day astrological calendar called the Tzolk’in; and a 365-day year called the Haab’. Previous scholars have speculated on how awe-inspiring solar or lunar eclipses must have seemed to the Maya, but our understanding of their astronomical knowledge is limited. Most Maya books were burned by Spanish conquistadors and Catholic priests. Only four hieroglyphic codices survive: the Dresden Codex, the Madrid Codex, the Paris Codex, and the Grolier Codex.

The Dresden Codex dates back to the 11th or 12th century and likely originated near Chichen Itza. It can be folded accordion-style and is 12 feet long in its unfolded state. The text was deciphered in the early 20th century and describes local history as well as astronomical lunar and Venus tables.

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Scientists have found traces of ancient opiates in the residue lining an Egyptian alabaster vase, indicating that opiate use was woven into the fabric of the culture. And the Egyptians didn’t just indulge occasionally: according to a paper published in the Journal of Eastern Mediterranean Archaeology, opiate use may have been a fixture of daily life.

In recent years, archaeologists have been applying the tools of pharmacology to excavated artifacts in collections around the world. As previously reported, there is ample evidence that humans in many cultures throughout history used various hallucinogenic substances in religious ceremonies or shamanic rituals. That includes not just ancient Egypt but also ancient Greek, Vedic, Maya, Inca, and Aztec cultures. The Urarina people who live in the Peruvian Amazon Basin still use a psychoactive brew called ayahuasca in their rituals, and Westerners seeking their own brand of enlightenment have also been known to participate.

For instance, in 2023, David Tanasi, of the University of South Florida, posted a preprint on his preliminary analysis of a ceremonial mug decorated with the head of Bes, a popular deity believed to confer protection on households, especially mothers and children. After collecting sample residues from the vessel, Tanasi applied various techniques—including proteomic and genetic analyses and synchrotron radiation-based Fourier-transform infrared microspectroscopy—to characterize the residues.

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© Courtesy of the Yale Babylonian Collection;

Our best friends come in a fantastic array of shapes and sizes; a Borzoi looks nothing like a Boston terrier, except for a certain fundamental, ineffable (except to taxonomists) doggyness about them. And it’s been that way almost from the beginning. A recent study of dog and wolf skulls from the last 50,000 years found that dogs living just after the last Ice Age were already about half as varied in their shape and size as modern dogs.

“Shaped like a friend” means a lot of different things

Biologist and archaeologist Allowen Evin, of CNRS, and her colleagues compared the size and shape of 643 skulls from dogs and wolves: 158 from modern dogs, 86 from modern wolves, and 391 from archaeological sites around the world spanning the last 50,000 years. By comparing the locations and sizes of certain skeletal landmarks, such as bony protrusions where muscles attached, the researchers could quantify how different one skull was from another. That suggested a few things about how dogs, or at least the shapes of their heads, have evolved over time.

The team’s results suggest that dogs that lived during the Mesolithic (before settled farming life came into fashion in the Middle East) and the Neolithic (after farming took off but before the heyday of copper smelting; 10,000 BCE is a general starting point) were a surprisingly diverse bunch, at least in terms of the size and shape of their skulls.

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