[Ronan] likes 35mm film photography, but the world, of course, has gone digital. He picked up an Epson FilmScan 200 for about €10. This wonder device from 1997 promised to convert 35mm film to digital at 1200 DPI resolution. But there was a catch: it connects via SCSI. Worse, the drivers were forever locked to Windows 95/98 and Mac System 7/8.

In a surprise twist, though, [Ronan] recently resurrected a Mac SE/30 with the requisite SCSI port and the System 7 OS. Problem solved? Not quite. The official software is a plugin for Photoshop. So the obvious answer is to write new software to interact with the device.

First, of course, you have to figure out how the device works. A service manual provided clues that, as far as the SCSI bus knew, the device wasn’t a scanner at all, but a processor. The processor, though, used SCSI as a simple pipe to handle Epson’s standard “ESC/I” protocol.

Armed with that information and a knowledge of the Mac’s SCSI Manager API, the rest is just coding. Well, that is until [Ronan] tried to scan the other five negatives in the six-negative film carrier. He was frustrated until he found an old patched SANE driver for the scanner from 2002. By looking at how it worked, he was able to figure out how to switch to the other negatives.

Color scanning also took a little coaxing. The scanner returns three monochrome images, one for each color channel. Some assembly, then, is required. In the end, though, the project was a complete success. Can’t find a FilmScan 200? Don’t have a SCSI port? There’s always the roll-your-own approach.

There’s an old adage in photography that the best camera in the world is the one in your hand when the shot presents itself, but there’s no doubt that a better camera makes a difference to the quality of the final image. Among decent quality cameras the Leica rangefinder models have near cult-like status, but the problem is for would-be Leica owners that they carry eye-watering prices. [Cristian Băluță] approached this problem in s special way, by crafting a Leica-style body for a Panasonic Lumix camera. Given the technology relationship between the Japanese and German companies, we can see the appeal.

While the aesthetics of a Leica are an important consideration, the ergonomics such as the position of the lens on the body dictated the design choices. He was fortunate that the internal design of the Lumix gave plenty of scope for re-arrangement of parts, given that cameras are often extremely packed internally. Some rather bold surgery to the Lumix mainboard and a set of redesigned flex PCBs result in all the parts fitting in the CNC machined case, and the resulting camera certainly looks the part.

The write-up is in part a journey through discovering the process of getting parts manufactured, but it contains a lot of impressive work. Does the performance of the final result match up to its looks? We’ll leave you to be the judge of that. Meanwhile, take a look at another Leica clone.