Guitarists today are spoiled for choice, and that goes doubly true for players who use computer-based amp modeling software. I’m one such player, and I don’t miss the size, weight, deafening volume, or cost of owning an amp and cabinet collection, to say nothing of all those pedals and cables. For clean to mid-gain tones alone, I already have more terrific options than I need, including Neural DSP’s Tone King and Cory Wong and Mateus Asato, Polychrome DSP’s Lumos, and Universal Audio’s new Paradise Guitar Studio. All work slightly differently, but they can each output record-ready tones that are really, really close to the (often incredibly expensive) hardware that they model, and they each give you plenty of great-sounding presets to start from.

So do we really need one amp sim package?

Neural DSP thinks we do, because the Finnish company just dropped a major new release yesterday called Archetype: John Mayer X. It doesn’t model Mayer’s type of gear but his actual hardware units, along with all the actual settings he uses in the studio and on stage. It even has some presets that he designed. Which is great if you want to sound like John Mayer—but what does the software offer for those of us not trying to cover Continuum?

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It’s an incredible time to be a guitarist who doesn’t want to own a bunch of $2,000 amps and an expensive pedalboard of gear. Amp and pedal simulators, which have been around for decades, have in the last few years finally come into their own as nearly indistinguishable sonic replacements. Even John Mayer is now willing to ditch his beloved tube amps for digital models.

I certainly don’t have Mayer’s chops or gear budget, but I do love messing with this sort of tech and have purchased everything from NeuralDSP‘s Archetypes series to Amplitube and Guitar Rig. Last week, as part of an early Black Friday sale, I picked up two amp/effects suites from British developer Polychrome DSP—Nunchuck (Marshall amps) and Lumos (clean through mid-gain tones). They are both excellent.

Any reasonable person should be satisfied with this tech stack, which models gear that collectively costs as much as my house. After my Polychrome DSP purchases, I reminded myself that I am a reasonable person, and that I could therefore ignore any further amp sims that might tempt my wandering eye.

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